Tagged: drum & bass

Tune Of The Day: Marc Mac Presents The Visioneers – Paul’s Guitar Story

Marc Mac has been close to the beating heart of contemporary British for over two decades now. He was genre defining in the early 90s dance/hardcore movement, as part of A Homeboy, A Hippie & A Funki Dredd and redefined drum & bass as half of 4hero, where he was responsible for my favourite ever remix. And more recently he has been cataloguing his love of soul music, in all its forms, through his Visioneers project.

Their album Dirty Old Hip Hop, which consisted of instrumental covers of many of the most sampled tracks in rap, was and is one of my favourites of the last few years, and the follow-up, Hipology* (and the associated free mix-tape), which I only just discovered, is even more of a love-letter to the last great art-form of the 20th century. Kind of like an album length version of The Roots’ Act Too.

Anyway, I’ve been listening to his Visioneers stuff again quite a lot recently, and this has to be the stand-out track; it really is just beaitiful. The guitar line is wistful, funny & sad, the beat is, of course, absolutely spot on, and the whole is simply wonderful. Seriously, it has to be one of my favourite pieces of music of the last few years.

It’s like he bottled nostalgia, wrapped a beat around it and then pressed it on vinyl. Just listen to it, you’ll get the idea.

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*He’s also created a wonderful scrap-book site cataloguing the things that have influenced his work.

Wallflower photo by yours truly


Pogo – Boo Bass (Monsters Inc. Drum & Bass Remix)

This is wonderful.

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It’s a lovely, lilting drum & bass track. No great surprises there, lots of drum & bass is lovely & lilting.

But it’s made up, in large part, from little snippets of sound effects and speech from the Pixar film Monsters Inc. It’s by a guy known as Pogo and reminds me slightly of the classic drum & bass track Links by Chameleon (off of the era-defining LTJ Bukem compilation Logical Progression) which made excellent use of a sample from Ferris Bueller’s Day Off.

According to Pogo’s  bio, he’s from Perth in Australia and apparently this is what he does. By this, I mean:

record sounds from my favourite games and movies, and piece them together like a jigsaw puzzle to create completely new music

I actually remember seeing his remix of Up, which is equally wonderful, but hadn’t realised that it was part of an opus of sorts. I’m glad that it is.

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Hat tip to Kevin May.

Image courtesy of Pixar.


10 Most Underrated Songs Of The 90s: Part 3

So I’ve been having a major nostalgia trip recently, & as it is shows no sign of abating, I figure you’re due the final instalment in my list of the 10 most underrated songs of the 1990s. I would hope that it will open up some debate and, more importantly, shine some light on some tracks that deserve more attention than they get at the moment…YouTube Preview Image

  1. Oasis – Talk Tonight: Many people have joked that Noel Gallagher wrote all his best material before he was famous, and that this was then released as the 1st albums and accompanying b-sides – i.e. the best work Oasis ever did. However Talk Tonight, written on the band’s first tour of the US (which wasn’t going well), goes to show that he still had something in him even after drugs & booze started to kill the talent. It’s the most beautiful love letter (to someone who wasn’t a lover) set to basic guitar, hand claps & organ & quite possibly the best thing they’ll ever do.
  2. Goldie – Timeless (Inner City Life): Drum & bass was barely the equivalent of a toddler in terms of it’s age as a musical genre, but already Goldie wasn’t just trying to run, but run a marathon. This 21 minute epic may be a stretch too far, but when you consider how excruciatingly un-inventive many guitar bands were at the time (not the good ones, but all the followers on – Ocean Colour Scene or Cast anyone?) the ambition here alone would be worthy of praise. The fact that Timeless is an absolutely stonking track, like something Pink Floyd would have recorded if they’d grown up in the 80s rather than the 60s, is almost by the by.
  3. Josh Wink – Higher State Of Consciousness: Really? F**k yes! Josh Wink’s Higher State Of Consciousness was never likely to change the world, but in terms of absolutely mind blowing acid house techno or whatever, this is about as good as it ever got. And the fact that Gilles Peterson used to mix it in with jazz or something equally incongruous, only adds to the reasons why I love it. Unfortunately there doesn’t seem to be anywhere to download it, but the video’s at the end of this post.
  4. Rae & Christian – The Hush (feat. Texas): How Northern Sulphuric Soul, the album this track comes from, hasn’t been officially recognised as a national treasure, I do not know. Continuing on where Blue Lines left off, Rae & Christian pulled together a truly British blend of soul & hip-hop. And in this beautifully laid-back track they got a much better performance out of Texas’ Sharleen Spiteri than the Wu Tang Clan ever managed.

OK, so that’s my top 10 most underrated songs of the 90s (you can find parts 1 & 2 here & here). It’s seriously open to debate – I’ve tried to keep it mostly British, so there’s lots of stuff from Europe & the US that could have been included. So why not use the comments to let me know what you would have included?YouTube Preview ImageGoldie picture by bloshakov on Flickr